13.12.09
By Ryan Lavis
While Beatles fans of all ages scoop scrambled eggs and French toast onto dinner plates, Strawberry Fields—a Beatles tribute band from Long Island—takes the stage for a weekly performance at B.B. King’s Bar and Grill in Midtown Manhattan. Mop-top wigs, phony English accents and an all-you-can-eat buffet brunch accompany the set, which spans the Beatles’ entire career.
As the band plays "I Want to Hold Your Hand," audience members tap their feet and sing along between mouthfuls of food. Others seated at the nightclub’s dimly-lit tables greet the familiar tune like an old friend—smiling and remembering the good times.
While this crowd is tame in comparison to the hordes of screaming fans from the 1960s, Strawberry Fields plays its first set with the enthusiasm and youthfulness that marked the Beatles’ early career. During the guitar solo for the fast-paced, rhythm and blues song "Slow Down," the band suddenly stops playing and stands frozen in position. The audience, unsure whether to applaud, waits for instruction.
Tony Garofalo, founder of Strawberry Fields and the band’s John Lennon impersonator, likes to joke around with the audience. In a British accent, he commands the crowd to applaud for the three frozen figures on stage—louder and louder. After the level of appreciation satisfies him, he tells the audience he has some great news for everybody: "I’ve just saved a bunch of money on my car insurance by switching to Geico." The audience laughs as the band unfreezes and finishes the song to more applause.
While the band hooks its audience with humor throughout the show—complaining about the commute from Liverpool or asking if there are any Beatles fans in the crowd—it’s the music that makes the people dance.
"On the count of three, we’re all going to scream," Garofalo tells the audience, as the band readies another song. When he hits three, the crowd lets out a yell, and the band starts to play "I Saw Her Standing There."
At this point most people abandon their appetite and dance in the spaces between each table. Young and old sing along with the band’s Paul McCartney impersonator, Billy Ray.
As Ray slaps his Hofner Beatles violin-style bass guitar and hits the song’s high notes, the musical abilities of each member shines through. All four play on the same types of instruments as the Beatles did. And all four play with the same enthusiasm and energy of those four lads from Liverpool.
For the audience, Strawberry Fields is the closest most will ever come to seeing the Beatles. What the crowd is unaware of, however, is the transformation the band goes through backstage before every performance. The four men dressed in black suits and mop-top wigs don’t wake up in the morning as John, Paul, George and Ringo. They wake up as middle-aged musicians, all of whom have an unusually large collection of Beatle paraphernalia.
"It’s not just the music. It’s the wigs and the costumes," says Mark Vaccacio, who plays George Harrison in Strawberry Fields. "We’re not some band that walks out and plays in t-shirts and jeans. That’s no fun," Vaccacio says as he shaves the white stubble from his face. "Without the costumes, it’s just not the same." He switches from an electric razor to a blade, for a closer shave—he wants to look like a young Harrison.
As Vaccacio continues to dress, his bald spot disappears under the mop-top wig and his stomach seems slimmer behind the black suit and pencil necktie. "You put these costumes on and you feel like Superman," he says.
Backstage the Strawberry Fields dressing rooms look like a Beatles costume shop. Mannequin heads with every Beatle’s hairstyle rest on bureaus throughout the two dressing rooms. Eyeliner pencils and mascara brushes—as essential as guitar tuners and distortion pedals—lay on countertops. Outfits from each Beatles era, like the Sgt. Pepper costumes, hang on the back of the dressing rooms’ doors.
"We are a costume act, and very theatrical as well," Garofalo says. "It’s a nice even match of fun, acting, singing and performing music."
Garofalo’s idea for Strawberry Fields stemmed from the 1977 Broadway musical "Beatlemania," a play that focused on the music of the Beatles. When "Beatlemania" finished its run in 1979, it was transformed into a national touring act. Garofalo, who was too young to join the original production, took on the show’s John Lennon role in 1984.
"It was a unique opportunity to perform with seasoned players and to join a network that would later help me find the best players to form Strawberry Fields," he says.
Garofalo’s love affair with the Beatles—and music in general—started during his childhood in Queens. "My mother was a dance teacher and my father taught classical and pop guitar," he says. "So getting into music was inevitable."
When he was six years old, Garofalo learned to play the ukulele, and then got a guitar. Later on, he studied classical guitar, learning the complicated compositions of Bach, Paganini and others. While Garofalo says the Beatles’ music is probably the greatest ever written, he doesn’t limit himself to just one style.
"My guitar roots are in hard rock guitar," says the bands founder, who also plays lead guitar in a Deep Purple tribute band called "Just Purple." He looks like a veteran of hard rock—long, brown hair and a slight gut that sticks out over his black jeans. His black sleeveless t-shirt gives him a "Brian Johnson" vibe. When he’s not playing music, Garofalo enjoys fixing and collecting cars—a hippie Woodstock VW bus, muscle cars, and a VW Beetle.
Along with impersonating John Lennon, Garofalo was also a New York City police sergeant for 20 years—something he says always surprises people. He thanks God for saving his life during the terrorist attacks in Manhattan on September 11, 2001—he served at the World Trade Center.
Throughout the '80s and '90s, Garofalo honed his Beatles talents, playing with various tribute bands when off-duty. "I was literally called Sergeant Pepper at work," he says. "I guess because everyone knew what I did on the side at night, while fighting crime during the day."
As Garofalo found success in his musical career during the 1980s with "Beatlemania," he decided to start his own Beatles tribute band in the early 1990s. Unlike "Beatlemania," which played exclusively at the Wintergarden Theatre in New York City, Garofalo wanted to create a show that was accessible to everyone for all occasions.
"I wanted to be able to play bar mitzvahs, graduations, fundraisers, amphitheatres—wherever people wanted to see us," he says. "Beatlemania was the first tribute band in my opinion," Vaccacio says. "I thought it was cool to be involved with this new phenomenon."
When Vaccacio auditioned for the John Lennon role in "Beatlemania," he improvised most of the lyrics for "Come Together" and "Revolution." During the Beatles’ last live performance on the rooftop of Apple Studios in 1969, John Lennon forgot the lyrics to the second verse of "Don’t Let Me Down." When Lennon sang gibberish in place of the real words, no one noticed because his voice still matched the melody. Vaccacio did something similar when he auditioned for "Beatlemania."
"They loved me and accepted me immediately," he says. It’s like the Beatles tune "Only a Northern Song," says: "It doesn’t really matter what chords I play—what words I say."
Since Vaccacio’s "Beatlemania" audition, he has learned the words to most Beatles songs, though he doesn’t have to sing them anymore. His voice has waned over the years, so he has taken on the quieter role of George Harrison.
"I’m older now and can’t sing that well anymore," he says. "When opera singers can’t hit those high notes, they change roles."
Strawberry Fields would go through several role changes as the band got off its feet in the early 1990s. There were eight different line-ups before finally settling on the group that plays today: Garofalo, Vaccacio, Ray, and Gerard Barberine Jr.—the Ringo Starr.
For about five years these four honed their musical skills in little nightclubs throughout the tri-state area.
"We were like the real Beatles," Vaccacio says. "We started out playing in some real dumps before we presented it to the general public."
All four band members agree that the culmination of their success came on August 16, 2005 when Strawberry Fields played at Shea Stadium to celebrate the 40th anniversary of when the Beatles played there.
"Having starred in a Broadway show for three years, I learned quickly about the kind of discipline it takes to perform day-in and day-out," Vaccacio says. "It’s been the foundation upon which all of my subsequent musical mayhem has stood. The Shea Stadium gig, on the other hand, was a one-off, one-shot, this-is-it, once-in-a-lifetime type of thing."
Backstage before the show at B.B. King’s, Vaccacio reminisces with Barberine about how this once-in-a-lifetime opportunity was almost ruined because of a wardrobe malfunction.
"We special-ordered the same types of jackets the Beatles wore when they played Shea," Vaccacio says. "Each one cost $250. These things don’t just materialize, you know. But the one for Gerard almost didn’t get there on time." Barberine shakes his head as he remembers this near-catastrophe. "The jacket got there just in time, but we were almost screwed," Vaccacio says.
As Barberine points to the Sgt. Pepper costume hanging on the door, he points out that these costumes are custom-made in Brooklyn. He blurts out the name of the business, but Vaccacio yells at him.
"Careful," he tells Barberine. "If that gets in the article, every Beatle tribute band in the country will go there for costumes and put us out of business."
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